An incendiary array of stars – including BEN AFFLECK, ANDY GARCIA, RAY LIOTTA, JEREMY PIVEN, RYAN REYNOLDS, PETER BERG, TARAJI HENSON, CHRIS PINE, JASON BATEMAN and, in their motion-picture debuts, Grammy-winning singer ALICIA KEYS and hip-hop artist COMMON — star in “Smokin’ Aces,” the new dark action-comedy from writer/director JOE CARNAHAN, the creator of Narc.
Welcome to Lake Tahoe, Nevada, where everyone is zeroing in on Buddy “Aces” Israel.
Sleaze personified, illusionist Aces (Jeremy Piven) grew up in a world full of card sharks, gamblers, killers and thugs. By 21, he was keeping company with major criminal muscle — headlining sold-out shows at MGM’s main room. After becoming the unofficial mascot for the Vegas mob, Aces started believing his own press and buying into the hype. He decides to showcase his showbiz power and parlay it into a life of crime. He wants to be his own mob boss…the movies make it look so easy. What Aces winds up doing is running afoul of the very organization that had taken him in, and his one-time benefactor, mob power broker Primo Sparazza, becomes his mortal enemy.
Rumor of a $1,000,000 hit fee, fronted by Sparazza, hits the streets and spreads far and wide, attracting an assortment of degenerate psychopaths and assassins – all gunning for the bounty on his head. Apparently, Aces has agreed to turn state’s evidence against his criminal cronies in Vegas…in order to save himself from life in prison. The FBI, sensing a chance to use this small-time con to bring down big-time target Sparazza, places Aces into protective custody, under the supervision of two agents dispatched to Aces’ hideout.
With all eyes on Lake Tahoe, a rogues’ gallery of killers collides in a mad race to the Nomad Casino penthouse suite, where they hope to hit the jackpot and rub out Aces – “Smokin Aces.”
STARRING: Ben Affleck, Andy Garcia, Alicia Keys, Ray Liotta, Jeremy Piven, Ryan Reynolds, Peter Berg, Martin Henderson, Taraji Henson, Common
DIRECTOR: Joe Carnahan
STUDIO: Universal Pictures
RATING: R (For strong bloody violence, pervasive strong language, some nudity and drug use)
Epic Movie”is a movie of, well, epic proportions… we measured. The story centers on four not-so-young orphans: one raised by a curator at the Louvre (where an albino assassin lurks), another a refugee from Mexican “libre” wrestling, the third a recent victim of snakes on her plane, and the fourth a “normal” resident of a mutant “X”-community. The hapless quartet visits a c
hocolate factory, where they stumble into an enchanted wardrobe that transports them to the land of Gnarnia (with a “G”). There they meet a flamboyant pirate captain and earnest students of wizardry – and join forces with, among others, a wise-but-horny lion to defeat the evil White Bitch of Gnarnia – “Epic Movie.”
STARRING: Kal Penn, Adam Campbell, Jennifer Coolidge, Crispin Glover, Tony Cox, Héctor Jiménez, Carmen Electra, Darrell Hammond, David Carradine, Kevin McDonald, George Alvarez, Fred Willard, Jayma Mays, Crista Flanagan
DIRECTORS: Aaron Seltzer and Jason Friedberg
STUDIO: 20th Century Fox
RATING: PG-13 (For crude and sexual humor, language and some comic violence)
Gray Wheeler (Jennifer Garner) thought she had life all figured out: the perfect job, the perfect city (Boulder, Colorado), and best of all, Grady, the perfect fiancé. However, in life, nothing is perfect: the day that was supposed to be their wedding day instead becomes Grady’s funeral. At the memorial, Gray is comforted by Grady’s closest friends: cheerful Sam (Kevin Smith) and responsible Dennis (Sam Jaeger). When she leaves the reception for a few minutes alone, her private moment is interrupted as Grady’s childhood buddy from L.A., Fritz (Timothy Olyphant), bursts in and, thinking the room is empty, seduces the event caterer. Gray, justifiably piqued, blurts, “How could he have been friends with you? You’re everything he hated.”
After the memorial, Gray realizes that she can no longer afford the house she and Grady rented. Sam and Dennis take her in, feeling a responsibility to take care of their pal’s fiancé… but to Gray’s chagrin, she finds that the boys have also offered a bed to Fritz.
As Gray closes Grady’s accounts, she finds one she never knew existed: a large one – containing about a million dollars. Grady was loaded… but that wasn’t the only secret Grady kept from his fiancé. He was also sending the interest on that account – $3,000 a month – to a woman in L.A. Gray manages to pull the details out of Fritz: Grady had a one-time affair, before he met Gray, with a massage therapist named Maureen. The result of that one night, says Fritz, is a seven-year-old boy named Mattie. Gray is devastated to learn that Grady never trusted her enough to tell her about his son.
While Gray struggles to come to terms with this new information about the man she loved, relationships in the house become strained, as both Sam and Dennis take refuge in their vices in order to cope with the loss. Sam eats and drinks too much, missing time at work, while workaholic Dennis pours an unhealthy amount of energy into creating a Peace Garden for Grady.
Further complicating matters, Maureen shows up in Boulder with three-and-a-half-year-old Mattie – not the seven-year-old that Fritz said he’d be. Gray pieces together the truth: Grady slept with Maureen several times while he was seeing Gray. Gray feels deceived, not only by Grady, who cheated on her, but also by Fritz – though she appreciates that he would try to protect her from the news. Despite the confusion and anger, they all want to get to know Grady’s son… and with that, the house adds two more.
Despite the fact that he kept such an important secret from her – or maybe because he protected her from it so well – Gray is confused to find her feelings for Fritz growing stronger… and that night, she begins a secret affair with him, creeping back into her own room before her roommates catch her. Bewildered and freaked out by what she’s done, Gray is left to sort out her desires and fears alone.
As tensions between everyone in the house grow, Dennis lets it slip that he has been in love with Gray… but as Gray doesn’t return his affections, Dennis is left humiliated – and with only his work on the Peace Garden to turn to for solace. Meanwhile, Gray continues to keep her affair with Fritz a secret and struggles to admit that he knew her fiancé better than she did.
Though the days since Grady’s death have not been easy, all those who loved him learn to come to terms in their own ways. Sam begins a relationship with Maureen, becoming an unlikely but stable rock for the single mother. Dennis, proud of what he’s built in the Peace Garden, finds solace after all. And Gray learns to accept that Grady was not the perfect man she thought he was, that Fritz is not the self-centered playboy she thought he was, and that life is not something to be planned, but caught as it comes – “Catch And Release.”
STARRING: Jennifer Garner, Timothy Olyphant, Sam Jaeger, Juliette Lewis, Kevin Smith
DIRECTOR: Susannah Grant
STUDIO: Columbia Pictures
RATING: PG-13 (For sexual content, language and some drug use)
Set at the end of the Civil War, “Seraphim Falls” tells the story of a colonel who fails to put down his weapon and instead hunts down a man to settle a grudge from the war. The film is a taut psychological action film, an epic chase and primal battle set in the breathtaking landscape of the West. The civil war has ended but Colonel Morsman Carver (Liam Neeson) is on one final mission: to kill Gideon (Pierce Brosnan) no matter what it takes. Launched by a gunshot and propelled by rage, the relentless pursuit takes them both far from the comforts and codes of civilization, into the bloodiest recesses of their own souls – “Seraphim Falls.”
STARRING: Pierce Brosnan, Liam Neeson, Angie Harmon, Anjelica Huston
DIRECTOR: David Von Ancken
STUDIO: Samuel Goldwyn Films
RATING: R (For violence and language)
Blood And Chocolate” – Ten years ago, in the remote mountains of Colorado, a young girl watched helplessly as her family was murdered by a pack of angry men for the secret they carried in their blood. She survived by running into the woods, and changing into something the hunters could never find … a wolf.
Now, though she lives half a world away, Vivian Gandillon (Agnes Bruckner) is still running.
Living in relative safety in Bucharest, Vivian spends her days working at a chocolate shop and nights trawling the city’s underground clubs, fending off the reckless antics of her cousin Rafe (Bryan Dick) and his gang of delinquents he calls “The Five.” But only when she’s running through the woods around the city does Vivian feel truly free … though whatever she’s chasing seems continually to elude her.
Aiden Galvin (Hugh Dancy) is an artist researching Bucharest’s ancient art and relics for his next graphic novel based on the mythology of the loup garoux – shapeshifters whose power to change effortlessly into the forms of both human and wolf was once considered holy among men.
Wrestling demons of his own, Aiden hopes to explore the inner lives of these outsiders that he believes were persecuted to extinction – labeled monsters, murderers, werewolves. They achieved what he lacks – transcendence, the ability to change what they are. What he doesn’t know is that the loup garoux are not only very real, they’re far from extinct.
During a chance encounter in an abandoned church celebrating the loup garoux, Aiden unknowingly comes face-to-face with the real thing … Vivian.
Others may have secrets but none as extraordinary as hers, for Vivian is among the last of her kind, leading a tenuous existence under the protection and control of Gabriel (Olivier Martinez), the powerful and enigmatic leader of one of the last packs of loux garoux on earth.
After their brief exchange in the church, Aiden can’t get Vivian out of his mind, nor can she forget him. He pursues her until she relents and begins to see him, but she can’t bring herself to tell him the truth – and lives in fear of showing him what she really is. If she bleeds, her eyes will betray her as a loup garoux. And what’s worse: her future, and who she falls in love with, is already predetermined.
To keep their kind from being hunted to extinction, Gabriel holds them to strict laws. One is that he must take a new bride every seven years, and Vivian has been prophesied to be his next.
The other is that the pack must hunt as one or not at all. It is the very key to their survival. Chased from the soil of every continent, only in Bucharest – where once a Magyar prince was said to have loup garoux blood – have they found sanctuary. On the night of the full moon, they gather as one in the woods outside the city. Though the wolves are outnumbered by man, on the night of the hunt, they can be who they truly are – hunting a single chosen human as a pack. If their prey reaches the other side of the river, he will be allowed to live … but no human has ever reached the river.
Though Vivian has sworn never to kill, she is as much animal as she is human, and her love for Aiden threatens to cast him to the very wolves who saved her life … and who are waiting for their chance to hunt him as prey.
And the full moon is almost upon them – “Blood And Chocolate.”
STARRING: Agnes Bruckner, Hugh Dancy, Olivier Martinez, Katja Riemann, Bryan Dick, Chris Geere, Tom Harper, John Kerr, Jack Wilson, Vitalie Ursu, Bogdan Voda, Kata Dobó, Rodica Mandache, Lia Bugnar, Mihai Calin
DIRECTOR: Katja von Garnier
STUDIO: MGM
RATING: PG-13 (For violence/terror, some sexuality and substance abuse)
From filmmaker Michael Bay’s Platinum Dunes production company (producers of The Texas Chainsaw Massacre and The Amityville Horror) comes “The Hitcher,” an update of the 1986 film of the same name.
Dave Meyers makes his feature directorial debut on the new thriller, which tracks the terrifying trajectory of Grace Andrews (Sophia Bush) and Jim Halsey (Zachary Knighton), a collegiate couple who are tormented by the mysterious hitchhiker John Ryder, a.k.a. The Hitcher (Sean Bean).
The young couple hit the road in a 1970 Oldsmobile 442, en route to spring break. But their pleasure trip soon turns into a waking nightmare. The initial encounters with Ryder are increasingly off-putting for Grace and Jim, and they bravely fight back when he ambushes them. But they are truly blindsided when he implicates them in a horrific slaying and continues to shadow them.
The open road becomes a suspenseful, action-packed battleground of blood and metal as, in trying to elude not only Ryder but also New Mexico State Police Lieutenant Esteridge’s (Neal McDonough) officers, Grace and Jim must fight for their lives and face their fears head-on “The Hitcher.”
STARRING: Sean Bean, Sophia Bush, Zachary Knighton, Kyle Davis, Neal McDonough
DIRECTOR: Dave Myers
STUDIO: Rogue
RATING: R (For strong bloody violence, terror and language)
As ALONE WITH HER opens, our point of view is through a camcorder lens as it is being hidden in a bag. We see the recording date and time in the upper left hand corner – Aug 7, 11:12 AM.
Later, at the beach, the hidden camera, and its anonymous handler, captures various shots of unsuspecting women in bikinis. A little later we see a shot up one woman’s skirt, and watch her as she confronts the person holding the camera bag. “What?” she snarls, though she clearly has no idea how her privacy has been violated.
Later still, at a park, attention is focused on another attractive young woman playing with her dog. At one point she looks over wistfully at a romantic couple. She begins to tear up. The camera captures her emotion and vulnerability. The stalking begins.
Over the next week, the cameraman follows this young woman home and records her movements to and from work, her frequent visits to a coffee shop, on a jogging date with a friend. The stalker, whose perspective is the only one the audience will ever experience is becoming familiar with the subject’s routine.
At an electronics store, the still unseen, compulsively recording stalker, tells a salesman that he and his wife want to check up on their nanny. The salesman provides various surveillance equipment that can be hidden in common household objects. The salesman points out that this is all completely legal.
When the young woman is away from her apartment, the stalker breaks in and goes through her personal belongings, including photos and some impressive artwork. We discover that her name is Amy and we gather she is recovering from a painful break-up. The stalker installs hidden video cameras throughout Amy’s home.
As Amy returns to the apartment it becomes clear that she is now under surveillance 24/7. We see her talking on the phone with her mom and best friend, watching TV, showering, going to bed. As she falls asleep, we see the stalker curling up next to a monitor in his home which features a close-up of Amy sleeping.
The stalker has rehearsed a meeting with Amy and intentionally bumps into her at the coffee shop that she frequents, holding the same DVD movie she recently enjoyed. She sees it in his hand and begins a conversation, sharing strangely similar perspectives of the movie. The stalker has concealed a mini spy cam in his shirt, so we are still seeing Amy through his perspective. Amy introduces herself. The stalker, we learn, is named Doug.
Back in her apartment, Amy works on a new painting while talking on the phone to her best friend, Jen, about the new guy she’s met and with whom she appears to have so much in common. Her friend tells her to give the guy a chance, but Amy is hesitant, feeling there might be something a little off about Doug.
Later, Amy gets a call from Matt, a smooth and flirty co-worker who asks her out. She accepts, much to the distress of the ever observant Doug.
The next day Doug is back at the coffee shop. When he encounters Amy this time, he asks her out to see their favorite band for a one night only performance. But she turns him down saying she has other plans. When Doug presses, she doesn’t mention her date with Matt, but cites family obligations instead. Stifling his pain, Doug rushes off back to his car, but once inside lets out a roar of rage.
Later, Doug, once again, breaks into Amy’s apartment. Using a syringe, we see him go to her refrigerator and poison a drink. Amy later becomes violently ill and must cancel her plans with Matt.
Outside the coffee shop, Doug claims his car has broken down and is running late for a meeting. He accepts Amy’s offer of a ride. During the ride, Amy discovers they have even more in common, including taste in art. Doug claims to be a photographer on the side, while Amy shares her dream of painting professionally. Doug tells Amy she needs a website to advertise her work and then offers to design it for her.
At home, on the phone with Jen, Amy’s instincts tell her not to pursue Doug, but Jen advises her not to burn any bridges. Amy then has a date with Matt, which appears to go well.
Doug calls Amy and says he has something he wants to show her. He comes by the apartment the next day. This is the first time we get a full view of Doug’s face through the hidden cameras. He shows Amy the website. She is thrilled and appreciative, but Doug refuses to accept payment for the job. Doug says she can repay him with dinner.
They meet at a restaurant but things get awkward when Doug reaches over for Amy’s hand and she pulls away. Later, at home, she tells Jen that Doug’s hand was “sweaty and gross.” Amy says she doesn’t want to hurt him, but plans to slow it down and say she’s busy whenever he calls.
In a parking lot, we see Amy leave her car to get coffee. When she returns, she becomes frantic. Her work laptop has been stolen. Next we see Amy leaving her office building, carrying possessions in a cardboard box. We learn she has been fired for losing the laptop which contained extremely sensitive material.
Matt stops by Amy’s apartment to comfort her. One thing leads to another and they are soon making out. Watching on his home monitor, Doug reacts violently. He phones Amy, but hangs up before she can answer. The interruption gives Amy pause and she stops going further with Matt.
Later, Doug breaks into Amy’s apartment, spreading a skin irritant over her bedding. That night Amy is driven crazy by the reaction and her skin develops unsightly red welts. Consequently, she needs to break another date with Matt.
Frustrated and angry, Amy slams the radio in the bathroom, which has a camera hidden inside it. Doug panics. For a moment, it looks as though Amy will uncover the device as she tries to repair the damaged radio. But at the last second, the radio starts working again and Amy puts it back on the shelf.
Talking to Jen later, Amy explains that her relationship with Matt is over. Jen asks if Amy’s heard from Doug and then suggests she call him to touch base.
Later that day, Amy receives a phone call from the owner of a five star restaurant who has seen her artwork and wants to display some of her pieces in his main dining room. He asks her to thank her “friend” for making it happen.
Amy meets Doug in a park where he explains how he recommended her artwork to the restaurant. Deeply grateful, she asks Doug to come over that night to share a celebratory meal she is planning with Jen. Doug says he needs to take a rain check as he has plans with another woman.
In her apartment, Amy discusses Doug’s new girlfriend with Jen, who seems a bit skeptical. Amy wants Jen to join them for lunch the next day – to be safe, she says, and because she doesn’t want to encourage him.
Later that night, returning to and walking through her darkened apartment, Amy trips on a mysteriously fallen shelf and cuts herself badly on broken glass. Doug “happens” to call as she’s bleeding on the floor. He comes to the rescue, bandages her and takes her to the hospital. They return with Amy on crutches. Doug cleans up the mess and overhears Amy on the phone with Jen, telling her what a sweetheart he has been. Before he leaves, Amy thanks him profusely and kisses him on the cheek.
The next day, Amy tells Jen how amazed she is over everything that Doug has done for her. Jen says that she can’t make lunch because of a business meeting. Amy says it’s fine, she can handle the situation.
Later, Amy greets Doug at the door, excitedly telling him that her paintings have sold, but is not sure who the buyer is. Doug congratulates her. Jen arrives unexpectedly, coming to celebrate the news of the sale. Doug is thrown by the unexpected interruption and struggles to keep it together. Jen quizzes him on his background. When some wine is spilled on his shirt, he freaks out. Doug, who has said he hails from Seattle and has an eye doctor father, is questioned about his hometown. When he retreats to the bathroom, Jen, who is familiar with Seattle, tells Amy she has caught him in a lie. Doug fakes a cell phone call to get out of there.
Doug calls Amy at home later to say he may have misspoken about Seattle, but was thrown off-guard by Jen’s many questions. Amy apologizes for her friend.
Later, Jen is still skeptical, but Amy defends Doug, reminding Jen that she was the one who wanted to give Doug a chance in the first place. When Amy exits to take a shower, Jen calls her cousin in Seattle and leaves a message, asking him to call her at home. She wants him to check out a local eye doctor. Later that night, Rocky, Amy’s dog, is missing from the patio. It’s raining heavily. Amy thinks he may have run off to the park. Since Amy’s on crutches, Jen goes in pursuit. In the park she is confronted by Doug, who strikes her. She falls down a flight of stairs to her death.
In the aftermath, police bring Amy home to her apartment and Doug comes over to comfort her and put her to bed. Amy stays in touch by phone after she goes to stay with her parents for a week. Doug tells her that he’s still looking for Rocky.
A depressed Amy returns home and later shares dinner with Doug. He tells her that he has broken up with his “girlfriend.” Later he comes back to the apartment with Rocky, explaining that he has been out looking for the dog every evening. Amy is thrilled and relieved.
After putting Rocky safely on the patio, an overcome Amy throws herself at Doug in thanks, moving him to the bedroom and down on the bed. Doug is unable to perform, however. Amy apologizes for trying to move the relationship to another level. She is convinced that they made a big mistake.
Doug is distraught and pleads with her to understand. He tells her she can’t go back to how things were. He slips up and mentions things he has seen on the hidden cameras. Amy is horrified he knows such intimate information about her. It finally dawns on her that she is being monitored. Amy smashes the clock radio next to the bed and discovers the hidden camera.
She runs for the door but Doug blocks her path. Amy races to the bathroom, locking herself in. She tries to get out a window, but Doug breaks in after her. As they struggle, Doug tries to explain himself. Amy pulls herself together and cleverly manages to calm Doug down. But when she tries to make another run for it, a fierce battle ensues - “Alone With Her.”
STARRING: Colin Hanks, Ana Claudia Talancon, Jordan Spiro
DIRECTOR: Eric Nicholas
STUDIO: IFC First Take
RATING: R (Language, Sexual Situation and Violence)
John, Daniel, and Panther were lost. They had no home, no family, no hope. Then they came to America, where they were given three months. Three months to learn how to use electricity, how to live in Western culture, how to support themselves. Three months to start paying back the U.S. State Department for their plane tickets. They are the Lost Boys of Sudan, and this is their inspiring story of their triumph in their own words – “God Grew Tired of Us.”
STARRING: John Dau, Daniel Abul Pach, Panther Bior, Nicole Kidman
NARRATOR: Nicole Kidman
DIRECTORS: Christopher Quinn and Tommy Walker
STUDIO: Newmarket
RATING: PG (For thematic elements and some disturbing images)
TEARS OF THE BLACK TIGER” takes a journey back to a lost past – the heroic years of Thai genre cinema, when influences from Hollywood and everywhere else were subsumed into rollicking Thai melodramas for an audience of avid fans. Sasanatieng’s film is a brilliant pastiche of vanished themes, styles and characters, almost all of them easily recognizable as variants on the prototypes from other popular cinemas. But the film’s project is not simply nostalgic. Sasanatieng uses the tricks and tropes of film style from the 1960’s- iris shots, wipes, obvious back-projection – but combines them with a startling, modernist approach to color and storytelling. The result is not only unique in Thai cinema but also an entirely new way of looking at genre entertainment.
“TEARS OF THE BLACK TIGER” offers nostalgia as future shock.
When Dum, a young peasant boy, falls in love with Rumpoey, the daughter of a wealthy family, they vow that, whatever happens, they will one day be together. When they meet again ten years later, their rekindled passion is thwarted by the murder of Dum’s father by outlaws and by Rumpoey’s betrothal to a smooth-talking police captain. Dum soon transforms himself into the gunslinging bandit, “Black Tiger,” in order to infiltrate the gang who murdered his father. Fate will reunite the lovers one more time, but will they be able to continue their romance? Or will tragedy strike again?
When DJ (Columbus Short), a troubled youth from Los Angeles, moves to Atlanta to attend Truth University, he discovers “stepping,” the age-old style of dance traditionally done in black fraternities, where teams demonstrate complex moves and create rhythmic sounds by using their bodies. DJ’s raw talent and hip-hop inspired moves quickly place him at the center of a fierce rivalry between two fraternities, the winner of which will be determined in front of a sold-out arena at the annual stepping championships. But before he can help his teammates, he must battle his own demons and learn the true meaning of brotherhood.
A compelling drama about the quest for individuality and the power of fraternity, Stomp the Yard features some of the most original and exhilarating dance performances ever filmed. Starring Columbus Short (Save the Last Dance 2, Accepted) and Meagan Good (Waist Deep, Roll Bounce), Stomp the Yard is directed by award-winning music video and commercial director Sylvain White (I’ll Always Know What You Did Last Summer), who brings his innovative visual style and explosive energy to the production.
When an urban dance battle ends in violence, champion street dancer DJ Williams (Columbus Short) travels from the underground clubs of inner city Los Angeles to the moneyed precincts of Atlanta’s prestigious, historically black Truth University. Although his athleticism and ambition have made him a top competitor in the gritty world of street dancing, DJ feels out of place at Truth, with its elite fraternities and expectations of professional success.
It is in this alien environment that DJ discovers the world of stepping. A black tradition that has evolved from the centuries-old African Boot Dance, it combines precise dance steps with chants and percussive hand and foot movements. At Truth, it also plays a pivotal role in the longstanding rivalry between two campus fraternities.
When DJ shows off his dance skills at a local club, he attracts the attention of Truth’s top fraternities and campus beauty April (Meagan Good), setting off a vicious feud with April’s boyfriend Grant (Darrin Henson) – who also happens to be a star stepper for Mu Gamma Xi.
After DJ decides to join rival Theta Nu Theta, his bold street style revitalizes the decades long competition between the frats and challenges the stepping supremacy of Mu Gamma. But his arrogance and self-centeredness quickly put DJ at odds with his new fraternity brothers. With Grant plotting to have him expelled just before the most important competition of the year, DJ must put aside his pride and learn the true meaning of fraternity. In a breathtaking finale, the two teams square off in an epic, freestyle battle that propels stepping to a thrilling new level – “Stomp The Yard.”
STARRING: Columbus Short, Meagan Good, Darrin DeWitt Henson, Ne-Yo, Brian J. White
DIRECTOR: Sylvain White
STUDIO: Screen Gems
RATING: PG-13 (For a scene of violence, some sexual material and language)
